SUGAR TOWN SOULFUL STRUT: PRIDE PARTY PLAYLIST PART 3

Here we are, and we’ve spanned from Pride week in Portland all the way to Pride week in San Francisco. Here’s the final set of delights from Sugar Town’s Pride-Pre Party. As I’ve outlined in my previous posts, I’ve gotten a better sense of self actualization and self confidence, indeed a sense of pride, with…

Sugar Town Soulful Strut: Pride Party Playlist Part 2

I remember as I sat at Po’Shines for my Birthday Dinner with DJ Action Slacks that I realized that I bought a huge quantity of records from 1965-67 for Sugar Town’s Pride Party. It’s the 50th anniversary of the Golden Summer of Motown, for some reason my tingle went to that time period and the…

Lamont Dozier “Fish Ain’t Bitin'” (ABC 11438, R&B #4 Pop #26, 1974)

Lamont Dozier “Fish Ain’t Bitin’” (ABC 11438, R&B #4 Pop #26, 1974) Gemini Roll Call starts to wind down with one of its biggest legends.Primarily a man behind the glass, Lamont Dozier did make his way in front of the microphone quite often. His pre-Holland-Dozier-Holland days found him trying out being a performer for a…

Sugar Town Soulful Strut: Pride Party Playlist Part 1

Hello Swingers and Friends, Lovers and Lotharios. I’ve got the biggest gift to you all courtesy of DJ Action Slacks. She has upped the sharing soul game and has started recording the sets of the parties she hosts. She started with sets at Queer Country Junction and I’m overjoyed to share with you what our…

Deneice Chandler “Mama, I Wish I Stayed At Home” (Lock 600, 1968)

Deneice Chandler “Mama, I Wish I Stayed At Home” (Lock 600, 1968) Part two of our Gemini Roll Call Chicago trip brings us to the 65th Birthday of Niecey. Born today as June Deniece Chandler in Gary, Indiana; post dropping out of Nursing school found the 18 year old working as a Chicago Hospital Clerk…

Marie Knight “You Lie So Well” (Musicor 1128, 1965)

Marie Knight “You Lie So Well” (Musicor 1128, 1965) Today’s Gemini Roll Call celebrates a voice that had a really splendid time blurring the lines between the secular and the spiritual. Marie Knight, like a number of singers of her generation, practiced her craft in the confines of Gospel in the 1930s and 1940s. Eventually…